Covid strikes again with NSW, Victoria and ACT in lockdown which means that live performance, events and screen projects are drying up, or have been completely shut down. With much of that work generated from the eastern states it also means that the other states are feeling the downturn in work as well. Not a […]
Music and Ideas EOI has been extended until Monday October 4, 2021. Donât miss the opportunity to be a part of the Vivid Sydney Music and Ideas program in 2022. Vivid Sydney warms the soul of our city with light artists, music makers and brilliant thinkers. From 27 May â 18 June 2022, Sydney will […]
On April 13th the APDG, in partnership with Docklands Studios Melbourne and the Victorian College of the Arts, held an introduction to the new possibilities of real time virtual production using LED Volume technology. This emerging and rapidly developing field has the potential to make significant contributions to the way we tell screen stories by bringing together […]
âWhat we do isnât merely a job. You have to hone your skills, workshop your craft, prioritise your art if you want it to develop.â Mentoring artists comes almost as naturally to Jason Baird as Special Make Up Effects does. There are very few senior artists and technicians in Australia in this field that havenât worked with, […]
Congratulations to the newly elected 2021/2022 APDG Committee and thank you to those who served on the 2020/2021 Committee. This quarter, I would like to share my yearly AGM report. It has been a tough year, 12 months of Covid pain and uncertainty in our industries with many colleagues facing tough times and financial hardship with little support […]
WSD 2022 Theme and Vision – The Three Sisters: Located near Canmore, Alberta, between UCalgary and Banff National Park, is a mountain known as the Three Sisters. The mountain is known for its three peaks and is a significant landmark to the area with stories and the name originating with the Stoney Nakoda First Nation. Big Sister […]
In 2019, Karla Urizar won “Design for Live Performance: Production, costume and set Design” for “Welcome the Bright World”. 1.     Do you have any fond (or not so fond) memories of working on Welcome the Bright World? I only have fond memories of designing Welcome the Bright World. Being born in South Australia and studying Theatre Design there, it was wonderful to go back and design Stephen Sewellâs deeply philosophical and political […]
Ian Gracie APDG received the 2018 APDG Award for Excellence in Screen â Acknowledging excellence in Design and Practice or Artisan Excellent on Australian or International Productions for his work as Supervising Art Director on Alien: Covenant. 1. Do you have any fond (or not so fond) memories of working on Alien: Covenant? Pictures of that scale […]
Louise Wakefield won the 2012 APDG Costume Design For Screen Award for her work on âUnderbelly: Razorâ. The APDG caught up with Louise to ask her about her award winning work. 1. Can you tell us a bit about your design process for Underbelly: Razor? Early days Paddy Reardon (Production Designer) and I joined with the writers to discuss […]
Edie Kurzer APDG has received a costume design award the last two years running. Edie won in 2018 for the 6-part television drama  âPicnic at Hanging Rockâ and another in 2019 for her work on the feature film âJudy and Punchâ. Why did you decide to enter your work into the APDG Awards? I appreciate the APDG and […]